Here’s a little illustration i did this evening:
Last weekend I went to see American Chronicles: The Art of Norman Rockwell at the Winnipeg Art Gallery, so I thought I’d write a little bit about my experiences.
As a teenager I was a very keen collector of Coca Cola memorabilia, and it was through this that I first discovered Roackwell’s artwork. In fact, one my favourite items in my collection is a 1935 Coca Cola calendar that my Dad bought for me featuring a Rockwell painting of a boy fishing in side profile. So, having been a huge fan of his for many years, this was obviously a really exciting opportunity for me, and it really lived up to my expectations.
As his artwork is so familiar, and appears so frequently in print, I had to keep reminding myself, no, these are not printed – these are his actual paintings! I loved seeing his work for The Saturday Evening Post, particularly as so many of his covers were incredibly inventive. He was very clearly a lateral thinker, and I love that! I try to think very laterally myself when I’m presented with an art/design related challenge. They did have some examples of his work in print too, which I also had a huge appreciation for, as I love historic printed ephemera. The fact that they had all 323 tear sheets from The Saturday Evening Post, ranging from 1916 through to the 1960s was fantastic. It really showed the subtle evolution of his style throughout the decades, and also the changes in fashion, culture, and style.
Another highlight for me personally was to see that Rockwell was a huge fan of Walt Disney, and dedicated the artwork for one of his Saturday Evening Post covers (specifically, Girl Reading the Post, from 1941) to him, and that Disney had it hanging on the wall in his office for many years.
All in all, it was a fantastic exhibition. As much as I would have loved to have seen some of his Coca Cola advertisements featured for old time’s sake, thats a minor point, and overall I think I would even go so far as to say that I actually left there an even bigger fan of his than I had been when I entered.
Here’s a drawing I did of our new puppy Marley as a Valentines Day gift for my wife Becky. As much as it has the look of a quick, and relatively rough sketch, it actually took me quite a while to create. Firstly, I wanted to give it a relatively Disney-esque look, which isn’t particularly close to my own natural style, so required a fair bit of research and trail runs. Secondly, I had to adapt his facial features to something significantly more cartoony, which, it turns out, isn’t particularly easy to do with a dog, and lastly, I had to contend with creating that “rough” finish, with lots of construction lines, etc, which, I have to admit, was added artificially, as that’s just not how I really tend to work, but I was pretty happy with the end result, and, more importantly, Becky loved it!
I watched the first two episodes of the new animated series of Napoleon Dynamite last night, and actually thought it was really good! It probably helps that I’m a big fan of the original 2004 film, and this, I felt, complimented that movie quite nicely. Not only does it feature the same cast of characters, who are mostly voiced by the original actors, but it also did a great job of retaining that same off-beat, indie feel, whilst adding a bit of extra pace, and a concoction of even more bizarre situations – a shift in direction that works really well for this different format. By staying true to the original source material, with a few nice little additions here and there, I think they’ve created a great companion piece. I would say, far better to have done this than to have a added two or three movie sequels. I look forward to seeing what future episodes have in store, but this was certainly a great start.
I had a chance to watch Steven Spielberg’s The Adventures OF Tintin a few nights ago, so just thought I’d discuss some thoughts on it.
Overall, it was a pretty good film, with some amazing action sequences, and some stunning cinematography. I have to admit, however, I reluctantly arrived at the conclusion, as I know some others have, that the hyper-real look of the film, mixed with the vaguely cartoony features/proportions of the characters, didn’t quite work for me. For me it seemed so close to reality, but with something just not quite right about it. A little more exaggeration in the proportions of aspects of the characters, such as the eyes, for instance, would have gone a long way to resolving this, but I also think the Motion Performance techniques used in the film may also have contributed significantly to this slightly disjointed look.
Cartoons aren’t supposed to move like, or closely resemble, real people – they’re cartoons! To quote Daniel D. Snyder at The Atlantic: “While all the characters sport some kind of cartoonish features—especially their ears and noses—their photorealistic eyes are somehow blank. It’s especially odd considering that it is the goal of animation to exaggerate features into even more outrageous modes of expression. Perfect mimicry in itself pointless. In bringing them to life, Spielberg has made the characters dead.”
I can’t help but wonder whether the fact that the film was directed by a live action director may have played a significant role in this. My guess is that had the film had been made by a director with background in animation, such as Brad Bird for example, we’d have seen something with a significantly more cohesive look. Equally so had Spielberg himself made this as a live action film.
However, having just finished reading a biography of Hergé (a couple of hours before I went to see the film in fact – I set myself a target!), I have to say, in most respects, this is actually probably pretty close to the movie that Hergé would have liked to have seen made. Spielberg really did do a pretty good job of embracing the spirit of Hergé the adventure story writer – just a shame he only partially embraced Hergé the cartoonist.
Whilst listening to one of my favourite podcasts, Escape form Illustration Island, some time ago, I came across a great children’s illustrator called Holli Conger. She has a fantastic style, which she applies across quite a wide variety of media. I was checking out her website again recently and also discovered that she has a pretty interesting blog, called A Girl who Creates, so I just thought I’d feature a couple of her illustrations on here. Alongside the more traditional approaches to illustration, she also, on occasion, illustrates in clay, which gives a really unique feel to her work, and adds even more versatility to her portfolio!
I went to see The Muppets a couple of weeks ago (great film in itself, by the way), but prior to it was a Pixar animated short called Small Fry. It’s the second in a series of shorts based on the Toy Story franchise, entitled Toy Story Toons, the first of which (Hawaiian Vacation) was attached to the theatrical release of Cars 2. I haven’t managed to see that one yet unfortunately, but certainly Small Fry was a fantastic short! Was great to see the Toy Story characters back again, and it really made me laugh too! What a great idea on Pixar’s part to release this series. Hope there’s several more yet to come!
I recently heard about an artist who has re-drawn several famous Disney characters to give the impression that they are “real life” people through photo manipulation, so thought I’d find a few examples and post them on here. The artist is called Jirka Väätäinen, and he’s a Finnish design enthusiast currently studying graphic design at the Arts University College at Bournemouth, UK. Here’s a sample of a few of the Disney princesses he’s reinterpreted – clockwise from top left: Cinderella, Princess Jasmine (from Aladdin), Rapunzel (from Tangled), and Mulan. To see more of his art, visit Väätäinen’s blog.
I went to see a screening of Raymond Briggs’ “The Snowman” yesterday with my wife, in which the score was played by a live orchestra. Unfortunately we were seated on a balcony and quite a bit of the screen was obscured by some ceiling-mounted speakers, but otherwise it was a great experience, and really took me back to my childhood! I’d actually forgotten just how amazing the animation was for it’s time, with lots of impressive rotating sequences, and no 3D animation software in sight – all hand drawn!
I came across a great children’s book recently, called “The King’s 6th Finger”. It’s a collaborative effort between illustration and design studio Jolby & Friends and Rachel Roellke. To quote from their website, it’s “a tale about a King named Mortimer who is obsessed with the number 5. He has 5 towers on his castle, 5 moats around it, 5 knights on 5 horses, 5 queens, 5 servants, 5 meals… he’s obsessed! Until one day, from his five-legged chair, he looks down at his hand and discovers that he’s grown a 6th finger! What will he do? How does he remove it? What crazy plans do his advisors have in store for him? You’ll have to get your hands on the book to see!”